A Little Romance

Life has been busy lately. My summer life is transforming into my fall life. Writing full-time is making way for working full-time and listening for the call of my characters will make way for learning the needs of my students. My summer story is nearly written and with the opening of the school year, a new chapter unfolds. 

This summer, my journey has been marked with morning walks, morning talks, and so many stories. My heart is swayed by romance and as I roam around my school instead of my neighborhood and fall in love with adorable five-year-olds instead of my own characters, I'll continue searching for a little romance.

Perhaps you too are trying to reconcile a summer life with a regular life and you could use an extra smile and a giggle. If so, maybe you could benefit from a little escape nestled between the pages.

Ross Poldark: A Novel of Cornwall, Winston Graham. I first met Ross Poldark in the PBS Masterpiece series Poldark. Because Aidan Turner, my friends. Since I discovered that it's based on a series of novels, I've been dying to get my hands on them. And guess what? They're fantastic. Ross's courage and inborn romance will win anyone's heart. 

I Am The Messenger, Markus Zusak. Zusak's style is both masterful and delightful. In this tale, he weaves the story of good-for-nothing Ed Kennedy who is given another chance to connect with humanity. Or Ed will be punished by the unknown master calling the shots. 

Vanessa and Her Sister, Priya Parmar. Parmar weaves a tale around the life and times of Vanessa Bell, artist and sister of Virginia Woolf. Historical Fiction will always be one of my favorite genres. It always sends me scurrying to the internet and library for more information on the events and historical figures portrayed in the novels. Vanessa and Her Sister is captivating, inspiring, beautiful, and heartbreaking.

Remembrandt, Robin King. Alex Stewart has a eidetic memory. She recalls everything she has ever seen with prefect clarity. When she's recruited by a secret organization, she finds her skills put to the test as a secret operative and her heart pulled in another direction by a handsome stranger. King's first novel in the series is both intriguing and youthful.

This Lullaby, Sarah Dessen. Dessen's novels paint a world of heartbreak and joy, youth and folly. And regardless of the fact that they are Young Adult novels, they always reveal a ribbon of truth running through the middle. This Lullaby follows the carefully plotted out last summer of Remy. She's leaving her eccentric author mother and newly-in-love brother for Stanford in a few short months. The only thing that's missing from her life is one short-term summer romance. She doesn't expect Dexter, a messy, quirky musician to claim more of her life or more of her heart than she's willing to give.

A Little Bit in Love, Susan E. Fletcher. Novels that give new life and breadth to a character we thought we knew always intrigue me. Eponine, from Les Miserables, is reimagined in this gorgeously woven tale of grit, romance, and heartbreak. It follows the path that led Eponine to Paris and Marius and love. We may know how her story ends, but now we can know her heart.

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As for me, I'm only a few scenes away from finishing my third novel, beginning the task of editing and polishing and pruning, collaborating to create cover art, and starting a new novel. Oh yes, and educating another group of adorable five-year-olds! Stay tuned for news on both! Thanks for reading!

Note: The above novels, with the exception of Remembrant, may feature language, strong themes, sex, or other elements you may not appreciate. Please read responsibly.

Full-Time, Part-Time, Indie, or Traditional

We all have issues, like problems with our health, self-image, employment, and relationships. But writers have their own special set of  issues. Two subjects that fascinate and infuriate writers everywhere are Traditional vs Indie Publishing and Full-time vs Part-time writing. As I've made my way in the writing world, I've seen some pretty heated discussions about each of the issues. Recently I interviewed author Jo Ann Schneider, who just released her third book Fractured Memories, and I grilled her on both subjects. Plus we had really good pizza.

Me: I've only gone down the traditional publishing path, but while I waited for that acceptance letter to come, I wondered what my next step would be if it didn't come. I thought about my indie author friends and considered the difference in income from self-publishing and receiving royalties from a publishing house, managing marketing campaigns, taking care of editing, and the amount of control writers have over the publishing process. 

In the end, I was grateful Cedar Fort gave me a chance and helped me through the editing and publishing process. That choice worked for me at the time. But Jo, you’ve gone down both avenues. I'd love to hear your thoughts on Self-publishing vs. Traditional publishing? Are the any drawbacks or major annoyances you want to share?

Jo: I’ve now gone through one small press, one serial into a book press online, and one that I published myself.

I do have to say that having someone send me all of the files with the book cover, and the different e-formats of the book, and the bookmark designs, and all that jazz is awesome. 4 weeks before I released Fractured Memories (my indie book) my cover designer copped out on me, so I had to scramble to find a new cover artist. In the end I think I found a group I can work with for almost everything, but it was a huge pain. At one point I was literally waiting for a cover—everything else was finished and ready to go. So not having to worry about that is nice. Plus formatting e-books is a pain. Luckily I have a computer savvy hubby who did most of it for me.

I like being able to control my price point on my indie book. And I make more money per book than on my more traditionally published books.They’re just on-line, not in the book stores, so that’s a conundrum.  However, if you look at the stats, Amazon sells a lot more books that a brick and mortar bookstore.

The part I really loved about Indie publishing is that when my book was ready, I got to release it. I didn’t have to wait for a year and a half before the publisher actually got it out. That delay is really annoying. The release date for New Sight got pushed back twice before it finally got published. That’s not a unique problem, it happens all the time in the publishing world. It’s frustrating.

I always tell people to do what feels right for them. I went traditional first, while a good friend of mine went indie. We’ve had different experiences and we’ve each learned from what the other has been through. There are pros and cons to both paths. If you’re wondering what to do as an author, go find others who have done it to talk to. They’ll tell you all about it.

Me: So interesting! In my experience, Cedar Fort handled cover art and publishing almost completely, editing was a collaborating process, and I had a larger role over marketing than I might have had with a larger publisher. I'm really grateful to have had such wonderful mentors to help me launch my my first novel. But maybe in the future when I'm a little more established as an author, I might take the self-publishing route.

The other thing we've discussed before is full-time vs part-time writing. As a single woman and a fledgling author, if I don't work full-time, I can't afford my condo. Or Netflix. Because of that, I consider my teaching career to be necessary to my writing career. There are perks to working 9 months out of the year and dedicating summer and school breaks to writing. It may not be ideal, but it works for me. Your position is completely different, Jo. If you had the choice, would you be a full-time writer or continue as a part-time writer? Give me the goods!

Jo: Ooh, good question. Not sure. Sometimes I think I get more accomplished as a writer if I don’t have unlimited time. I make it a priority and don’t mess around on the interweb or run errands all day. If time is short, I often get more accomplished.

That being said, if I could find the discipline to really buckle down and write, then I’d love to go full-time as an author. My dream is to be releasing two books a year, minimum. My books are longer (65k – 90k) so I can’t keep up with the authors that put a 40k book out every three months. I’m okay with that. I pretty much can’t write shorter novels. They just explode everywhere and end up as trilogies. Which means I could for sure use more writing time. I just need someone to crack the whip behind me and say, “Write, slave!” whenever I click on Facebook or YouTube.

Me: If I didn't have a day job (and I wasn't easily distracted by shiny objects and pretty handbags) I'd be all all over that whip, Jo! We could have side by side work areas and both get more writing done than we do now. However, I'm pretty sure that I could never be full-time writer. I like people too much to spend all of my free time in solitary confinement.

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Such good food for thought, don't you think? I love powwowing with other authors and picking their brains about writer issues we all face. In the end, I don't think there's a right or wrong way answer about publishing or full-time writing. You have to develop a publishing plan and a writing schedule that work for you and meet your goals.

I'd love to hear your thoughts on the Traditional vs Self-Publishing and Full-time vs Part-time writing! Leave me a comment below!

If you'd like to learn more about Jo Ann Schneider, her books, and the other projects she has in the works, follow the link to her website, or click on the links below. Happy hunting!

Babes In Spyland 

(YA Fiction/Humor)

New Sight 

(YA SciFi/Fantasy)

Fractures Memories 

(YA Fiction/Distopian)

Hope Grows In A...

Book Club: the place where people force you to spend precious reading time with books they're interested in (and you couldn't care less about).

Generally, I'm not a huge fan.  After reading something from book club, I typically shelve it and never pick it up again. But sometimes--when I swallow my pride and/or inner whiny monologue--I have a genuinely positive experience with authors and genres outside of my comfort zone.

This months selection, The Rent Collector by Camron Wright, was just such a read.  Though the story is ficticous, it's based on the lives of individuals who lived in and made their living in a city municipal waste dump in Cambodia.


I'm the first to admit this is a rather grim setting, but as I hit the last page today, a quote from The Office came to mind:

Granted, when Michael Scott and Dwight Shrute, who are conversing at the city dump, drop this one-liner, it's meant to be funny.  Or at least ironic. (Seriously, it's The Office, if your funny bone's not tickled, you're due some sort of refund.)  However, in terms of The Rent Collector, this quote rings true. No matter what the family's circumstances, parents want the best for their children and will sacrifice what is necessary to make it a reality.

…the desire to believe, to look forward to better days, to want them, to expect them—it seems to be engrained in our being.  Whether we like it or not, hope is written so deeply into our hearts that we just can’t help ourselves, no matter how hard we try otherwise.  We love the story because we are Sarann or Tattercoats or Cinderella.  We all struggle with the same problem and doubts.  We all long for the day when we’ll get our own reward. (The Rent Collector)

Stories of good versus evil, of characters struggling through their journey to reach their happily ever after, are universal.  No matter the culture, these sorts of tales are passed from generation to generation to encourage hope. So, yes. Hope Grows in a Dump.  And anywhere else it can find ground fertile enough to take root, all it needs is a little encouragement.

To learn more about The Rent Collector, Camron Wright's other projects, or The River of Victory video that inspired Camron's story, please follow the imbedded links.